In the Europe of the High Middle Ages, gigantic Gothic cathedrals found their counterpart in monumental, polyphonic musical constructions.
With revolutionary masters of music such as Leoninus and Perotinus, and poets such as Adam de Saint-Victor and Pierre Abelard, Notre-Dame in Paris became the cradle of polyphony. The mysterious but gorgeous chants of these pioneers fit the crystalline voices of Discantus like a glove.
In collaboration with Organisatie Oude Muziek.
Onze Lieve Vrouwe Basiliek
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PROGRAMME
Pierre Abélard 1079-1142
Epithalamica
Da Marie tympanum
O quanta qualia
Petrus Venerabilis ca. 1092-1094
Ave stella matutina
Orbis totus unda lotus
Leoninus ca. 1150-ca. 1201
Benedicamus Domino
Perotinus ca. 1200
Beata viscera
Vide prophetie
Philippe le Chancelier ca. 1160/70-1236
Cum sit omnis caro
Anonymous
Urbs beata Ierusalem
Sanctificavit Dominus tabernaculum
Rex Salomon fecit templum
Hodie Christus natus est
Ecce mundi gaudium
Vite lucina Maria
Kyrie Qui passurus advenisti
Alleluia V/Angelus domini
Hec dies leticie / Hec dies
Propter veritatem
Veri floris sub figura
Virgo viget / Castrum pudicicie / Flos filius
Plus bele / Quant revient / L'autrier / Flos filius
Custodi nos Domine
MUSICAL DIRECTION
Brigitte Lesne
LYRICS AND HAND BELLS
Cécile Banquey, Christel Boiron, Maud Haering, Lucie Jolivet, Caroline Magalhaes, Catherine Sergent
PHOTOGRAPHY
Juan March
